Popular Twitch streamer xQc cracked up during a recent broadcast, thanks to a satirical video mocking the absurdity of blockchain projects. The clip, which featured a fictional cryptocurrency called “NiggaChain,” was packed with over-the-top jargon and exaggerated claims that had xQc laughing so hard he had to step away from his computer.
The video’s content was a perfect storm of ridiculous blockchain buzzwords and nonsensical features. It boasted of a “Thermo Dynamic Bag Chaser” and claimed to process “One Gorillion TPS” (transactions per second), poking fun at the often inflated promises made by cryptocurrency startups.
xQc loses it over outrageous blockchain parody video during stream pic.twitter.com/r7zDUocjJc
— Spilled (@ThisIsSpilled) January 10, 2025
xQc’s reaction was nothing short of explosive. His trademark energetic style went into overdrive as he struggled to contain his laughter, creating a moment that quickly spread across the streaming community. Viewers were treated to the sight of the former Overwatch pro losing his composure in real-time, a spectacle that many found just as entertaining as the video itself.
But not everyone was laughing. The video’s use of racial stereotypes and sensitive language stirred up heated debates among viewers. Some praised the parody for its no-holds-barred approach to satirizing the crypto world, comparing it to edgy comedy shows like “The Boondocks.” Others expressed discomfort with the racial themes, arguing that the humor crossed a line.
The whole thing highlighted the fine line between satire and offense in the world of streaming. While many, including some from marginalized groups, engaged with the humor and saw it as a critique of blockchain hype, others worried about the potential reinforcement of harmful stereotypes.
Adding to the controversy, some viewers who followed links related to the video found themselves on questionable websites, raising concerns about online safety and the responsibilities of content creators when sharing potentially harmful material.
